{"id":1519,"date":"2018-07-07T00:51:13","date_gmt":"2018-07-07T00:51:13","guid":{"rendered":"http:\/\/editspecialists.com\/pr\/?p=1519"},"modified":"2018-07-16T21:21:26","modified_gmt":"2018-07-16T21:21:26","slug":"tv-multi-cam-edit","status":"publish","type":"post","link":"https:\/\/editspecialists.com\/pr\/index.php\/tv-multi-cam-edit\/","title":{"rendered":"TV Multi-Cam Edit 2018"},"content":{"rendered":"

I’m assuming that you have all cameras and a line-cut loaded.
\nThese files should either have matching TC or a common sound source for waveform syncing.
\nYou’ll need Premiere 2017 or 2018 and free\u00a0Resolve 15
\n<\/a>1. In Resolve, open\u00a0a new empty project (format can be anything)\"resolve-scene-cut-detect\"
\n<\/a>2. On the Media page, browse to the line-cut, right-click and choose> Scene Cut Detection.
\n3. Click >Auto Scene Detect.
\n4. When detection is done > Add Cuts to Media Pool and close Scene Detect window.
\n5. With all the clips still selected >right click any one of them>Create New Timeline from selected clips>keep defaults>hit OK.
\n\"resolve-differnt-rate\"
\n<\/a>If\u00a0you get the different rate question> Change.
\n7. Switch to the Edit page (the timeline should be loaded)
\n8. Delete all audio tracks.
\n9. File>Export>AAF,XML\"resolve-save-xml2\"
\n<\/a>Choose XML (2nd from top) for Premiere or AAF for Avid.
\n10. In Premiere import all clips.
\n11. Super tip ><\/strong>CMD\/CTRL-click clips in the order that you want them to work as a Multi-Clip:
\nSo if you want: Line-cut, Cam-3(host), Cam-2(guest1), Cam-5(guest2), etc.
\nCMD\/CTRL-click them in that order! (Thank you Dana<\/a>)
\n12. With all the clips still selected >right click any one of them >Create Multi-Camera Source Sequence.
\n13. Use\u00a0your favorite syncing method<\/a>.
\n14. Make a new sequence matching your footage’s format.
\n<\/a>15. Add the Multi-Clip.
\n16. Double match frame the Line-Cut and add just the audio to the timeline replacing the green Multi-Clip audio. (check sync).
\n17. If there is\u00a0ISO\u00a0audio available from the camera angles.
\nCut them in for\u00a0easy access during the edit.
\nUse Mono Tracks<\/a> if sources are Mono and cut into Mono Tracks, not Standard Tracks. Audio on timeline should be blue for better playback performance.
\n18. Import the XML from Resolve (no need to link media) and cut onto another video track.\u00a0Check to make\u00a0sure XML cuts line up with the cuts on the line-cut.\"pr-xml-mash\"<\/a>
\n19.\u00a0\"keyboard-mashing\"<\/a>Map\u00a0Add-Edit to Shift+Right cursor button on Keyboard.<\/a>
\n20. Turn on only\u00a0the\u00a0multi-cam video Track-Light>V1
\n21. Keep holding SHIFT>\u00a0keyboard-mash:\u00a0Right-Arrow\u00a0& Down-Arrow.
\nThis way you’ll create cuts matching the XML from above into the Multi-Cam.
\n22. Delete the XML.
\n23.\u00a0Toggle Multi-Cam view (Shift+zero)
\n24. Switch all cuts to their corresponding ISO’s.
\nDo this by using the shortcuts on the keyboard for each angle 1-9.
\nThe end result is a single video track, matching the Line-Cut with all the\u00a0ISO’s cut in.<\/p>\n

\"pr-track-setup\"<\/a>
\n25. Edit the show.
\n26. When on-lining apply effects to all instances of a clip.<\/a><\/p>\n

Read more:
\n<\/strong>Audio Mixing with Premiere\u00a0Pro
\n<\/a>Premiere Audio Workflow<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

I’m assuming that you have all cameras and a line-cut loaded. These files should either have matching TC or a common sound source for waveform syncing. You’ll need Premiere 2017 or 2018 and free\u00a0Resolve 15 1. In Resolve, open\u00a0a new empty project (format can be anything) 2. On the Media page, browse to the line-cut, … Read moreTV Multi-Cam Edit 2018<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1519","post","type-post","status-publish","format-standard","hentry","category-workflow"],"_links":{"self":[{"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/posts\/1519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/comments?post=1519"}],"version-history":[{"count":3,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/posts\/1519\/revisions"}],"predecessor-version":[{"id":1546,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/posts\/1519\/revisions\/1546"}],"wp:attachment":[{"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/media?parent=1519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/categories?post=1519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/tags?post=1519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}