{"id":454,"date":"2015-06-01T06:35:24","date_gmt":"2015-06-01T06:35:24","guid":{"rendered":"http:\/\/editspecialists.com\/pr\/?p=454"},"modified":"2015-08-26T19:22:05","modified_gmt":"2015-08-26T19:22:05","slug":"most-talked-about","status":"publish","type":"post","link":"https:\/\/editspecialists.com\/pr\/index.php\/most-talked-about\/","title":{"rendered":"Most talked about"},"content":{"rendered":"<p><strong>1. Edits any format without transcoding<\/strong><\/p>\n<p><a href=\"http:\/\/editspecialists.com\/pr\/index.php\/all-about-pr-media-cache-files\/\">Not really true, because it creates \u201cmedia cache files\u201d<\/a>\u00a0to make the unplayable, playable in the background. Sometimes your audio and video play stuttery before lunch but when you come back it plays smooth (because it \u201crendered\u201d preview files)<\/p>\n<p>Not true with more than 3 cameras. For 12 cam you still have to transcode to either DNx 36-wrapped mxf&#8217;s or very low quality MPEG2&#8217;s (our COVE or proxy spec.) Relink to the originals for the online.<br \/>\nAlso not true in a multi user or Dalet environment, you&#8217;ll have to normalize to be compatible with Dalet and media sharing with other users.<\/p>\n<p><strong>2. Warp stabalizer fixes shakey footage<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/hRCWcTOgjMM?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>In the past these shots where either deemed unusable, to be replaced or send to a time consuming and expensive Flame or After Effects session. It\u00a0works in background.\u00a0You have to learn what it can and can not fix.<br \/>\n<iframe loading=\"lazy\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Sbs53YMUFoE?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\nThe same tracker, used in AE\u00a0can also be helpful in other ways.<\/p>\n<p><strong>3. Encoding in the background\u00a0<\/strong>The Adobe suite includes Media Encoder (AME) an app that can take footage or edited timelines and encode for final output or proxy use in realtime in the background.\u00a0You can create many versions and then work towards a final version as part of your workflow.<\/p>\n<p>Keeping older versions as screeners in a collaborative environment brings out creativity and new posibilities. Gone are the days that the editor sits in a room, not to be disturbed until the cut is deemed watchable and perfected. Why not assemble the script long, then re-cut and re-think, then explore some use of b-roll etc. keeping all those versions for the whole team to watch and use.<\/p>\n<p><a href=\"http:\/\/frame.io\" target=\"_blank\">Team members can transcribe, screen, create logs and write watching footage &amp; cuts outside the editroom.<\/a><\/p>\n<p>Here is a 3.5hr timeline with timecoded footage of one location<\/p>\n<p><iframe loading=\"lazy\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/9HPKa7F9x4s?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>This file is a 1GB mp4 that can be uploaded to a transcriber, carried on a memory stick or posted on our internal network for anyone to watch like a proxy. Plays on PC or Mac.<br \/>\nother advantage\u00a0is you\u00a0don&#8217;t have to use the editroom as a screening\/meeting room.<\/p>\n<p><strong>4 Ultra key greenscreen compositing and effects.<\/strong><\/p>\n<p>The New Year&#8217;s Celebration 2015\u00a0used to composite Julie Andrews on a background.<br \/>\nUltra key is considered the best and easiest to use greenscreen tool in the business. Build into Pr.<br \/>\nWe will use it for Reel 13 and any other greenscreen application.<a href=\"http:\/\/www.larryjordan.biz\/premiere-cc-2-color-chroma-key\/\">\u00a0It opens up a new world of creative use of green &amp; blue screen<\/a>\u00a0in our productions.<br \/>\n<a href=\"http:\/\/editspecialists.com\/pr\/index.php\/ultra-key-to-ae\/\">With a small workaround you can even use it in AE.<\/a><\/p>\n<p><strong>5 <a href=\"http:\/\/editspecialists.com\/pr\/index.php\/the-adobe-app-linking-workflow\/\">Direct link between Adobe suite apps<\/a><br \/>\n<\/strong>The idea behind it is great (link a Photoshop document or After Effects comp directly in the timeline)\u00a0In reality when you link more than 4 AE comps and a few PS docs the project becomes too complicated and slows down too much to be usable. Most computers don&#8217;t have enough resources to have lots of\u00a0apps &amp; windows open at the same time. The workaround is simple: Create those documents in their own app, render out and keep replacing the file that you link too on the media drive. Or render in place, a technique that most editors used for many years.<\/p>\n<p><strong>6 Title Tool<br \/>\n<\/strong>Brings back sanity, efficiency, creativity, design.<br \/>\nIn Pr you design lower thirds, titles and credit rolls on screen in realtime. Multiple rows, different fonts. The sky is the limit.<\/p>\n<p><strong>7 No more rendering\/render in background is here!<\/strong><\/p>\n<p>A radical change in postproduction thinking.<br \/>\nWhen I discovered Pr&#8217;s realtime capabilities I decided to never render again.<br \/>\nProvided that you have a video card GPU with at least 4GB of Vram.<br \/>\nIt gives you freedom of adjustment and rethinking. You never have to lock the GFX and wait.<br \/>\nA cut always flattens in realtime in the background no matter how many effects and layers you have.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. Edits any format without transcoding Not really true, because it creates \u201cmedia cache files\u201d\u00a0to make the unplayable, playable in the background. Sometimes your audio and video play stuttery before lunch but when you come back it plays smooth (because it \u201crendered\u201d preview files) Not true with more than 3 cameras. For 12 cam you &#8230; <a title=\"Most talked about\" class=\"read-more\" href=\"https:\/\/editspecialists.com\/pr\/index.php\/most-talked-about\/\">Read more<span class=\"screen-reader-text\">Most talked about<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,3],"tags":[],"class_list":["post-454","post","type-post","status-publish","format-standard","hentry","category-technical-premiere-info","category-for-producers"],"_links":{"self":[{"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/posts\/454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/comments?post=454"}],"version-history":[{"count":9,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/posts\/454\/revisions"}],"predecessor-version":[{"id":875,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/posts\/454\/revisions\/875"}],"wp:attachment":[{"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/media?parent=454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/categories?post=454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/editspecialists.com\/pr\/index.php\/wp-json\/wp\/v2\/tags?post=454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}